Year-to-date track sales are at 143.7 million, up 1% compared to the same total at this point last year (141.6 million). Year-to-date album sales stand at 26.5 million, down 2% compared with the same total at this point last year (27.2 million).ĭigital track sales this past week totaled 25.8 million downloads, down 3% compared with last week (26.7 million) and down 2% stacked next to the comparable week of 2012 (26.4 million). 3) totaled 5.2 million units, up 7% compared with the sum last week (4.9 million) and down 10% compared with the comparable sales week of 2012 (5.8 million). Overall album sales in this past chart week (ending Feb. Mars again, with “Locked Out of Heaven.” It moves down one slot to No. Right behind Mars on the Digital Songs chart is. The latter’s jump comes as it also rises 30-23 on the Pop Songs airplay chart (known as Mainstream Top 40 on ). Lil Wayne‘s “Love Me” (featuring Drake & Future) slips 3-6 (109,000 down 36%), and Mars’ “When I Was Your Man” vaults 28-7 (105,000 up 87%). Swift’s “I Knew You Were Trouble” falls 2-3 (162,000 down 14%), Swedish House Mafia’s “Don’t You Worry Child” (featuring John Martin) rises 6-4 (122,000 down 8%), and the Lumineers’ “Ho Hey” remains at No. In a distant second place is will.i.am & Britney Spears‘ “Scream & Shout,” rising two rungs to No. 1 for a fourth week, selling 381,000 downloads (up 7%). Over on the Digital Songs chart, Macklemore & Ryan Lewis‘ “Thrift Shop” (featuring Wanz) stays steady at No. Taylor Swift‘s Red closes out the top 10, moving down one notch to No. 8 with 34,000 (down 68%) while the Lumineers slide 2-9 with their self-titled album (32,000 down 34%). 1, Gary Allan‘s Set You Free, tumbles to No. The digital-to-physical imbalance isn’t surprising, as both artists’ core audiences are generally older and likely prefer CDs over downloads.Īs for the rest of the top 10: The Pitch Perfect soundtrack falls 3-5 (37,000 down 16%), Bruno Mars‘ Unorthodox Jukebox climbs 8-6 (nearly 37,000 up 2%), and Mumford & Sons’ Babel dips 6-7 (36,000 down 6%). Digital sales represented just 17% and 10% of Wilson and Bocelli’s first-week sales, respectively. While downloads made up a significant portion of the debuts for Tegan & Sara, and Justin Bieber, they comprise little of Wilson and Bocelli’s top 10 arrivals. His last, Just Charlie, was released in 2010 and debuted and peaked at No. His latest album is his fourth consecutive release to include his first name in the title. This marks the third solo top 10 set on the Billboard 200 for the former Gap Band frontman, who previously claimed top 10s with Charlie, Last Name Wilson (No. Rounding out the four debuts in the top 10 on the Billboard 200 this week is R&B veteran Charlie Wilson, who enters at No. Bieber’s Believe Acoustic opens atop the list. Seventy-one percent of the debut-week sales for Heartthrob come from downloads. 1 on the Rock Albums chart, where the duo has collected two previous top 10s with 2007’s The Con and 2009’s Sainthood. That’s almost two times their previous best sales week, when Sainthood bowed at No. 3 with their new album, Heartthrob, moving a career-high 49,000 copies. 1, following 2009’s Mi Navidad, which was the Spanish version of My Christmas.Īlternative pop/rock duo Tegan & Sara charge in at No. On the latter tally, it’s Bocelli’s second No. 59 with 7,000 sold and also bows atop the Top Latin Albums chart. It’s titled Pasion, and it charts separately. The new Bocelli album is also available in Spanish. His earlier runner-up title was 2009’s My Christmas, which spent five consecutive weeks stuck at No. 1 album, though he’s now earned a pair of No. 2-4, respectively.īocelli collects his seventh top 10 set with Passione, shifting 94,000 copies at No. 1 albums with My World 2.0 (2010), Never Say Never: The Remixes (2011), Under the Mistletoe (2011) and Believe (2012).īieber leads a debut-filled top four on the Billboard 200 this week, as Andrea Bocelli, Tegan & Sara, and Charlie Wilson also arrive at Nos.
“Acoustic” also includes three new recordings: “Yellow Raincoat,” “I Would” and “Nothing Like Us.”īieber previously collected No.
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21, 2012 - likely benefitting from download gift card redemptions after Christmas.īelieve Acoustic features eight acoustic and/or live tracks originally found on Bieber’s Believe studio album, released last year. The set became available to pre-order more than a month before its release - on Dec. Industry sources suggest that iTunes’ pre-orders equated to around 20%-25% of the album’s overall first-week. That robust digital share was expected, thanks in part to strong pre-orders via iTunes. Believe Acoustic performed strongly with digital retailers, as 75% of its sales were generated by downloads.
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